var g_txt=[
{t:"1",p:1,x:710,y:43,w:10,h:22},
{t:"Synthesis Of Life, Art, And",p:1,x:159,y:126,w:518,h:51},
{t:"Perception",p:1,x:290,y:180,w:256,h:66},
{t:"Interdisciplinary",p:1,x:220,y:790,w:396,h:66},
{t:"Arts",p:1,x:366,y:859,w:103,h:66},
{t:"Zen Process",p:1,x:248,y:1000,w:340,h:77},
{t:"2",p:2,x:81,y:43,w:10,h:22},
{t:"Zen Process",p:2,x:76,y:611,w:97,h:22},
{t:"Interdisciplinary Arts",p:2,x:76,y:658,w:171,h:22},
{t:"Copyright © 2009 by Glen River",p:2,x:76,y:706,w:264,h:22},
{t:"Produced by Odysseus Publications",p:2,x:76,y:752,w:286,h:22},
{t:"Published by  Lulu Publications",p:2,x:76,y:779,w:255,h:22},
{t:"860 Aviation Parkway, Suite 300",p:2,x:76,y:806,w:266,h:22},
{t:"Morrisville, NC 27560",p:2,x:76,y:833,w:182,h:22},
{t:"(919) 459-5858",p:2,x:76,y:860,w:124,h:22},
{t:"All rights reserved. No part of this publication may be reproduced, transmitted,",p:2,x:76,y:916,w:632,h:22},
{t:"or stored in any form or by any media, mechanical, electronic, photographic, or",p:2,x:76,y:940,w:634,h:22},
{t:"any recording devise which now exists or may be created in the future without",p:2,x:76,y:964,w:627,h:22},
{t:"the prior permission of the publisher, except as provided by USA copyright law.",p:2,x:76,y:987,w:641,h:22},
{t:"Cover illustration, all art and illustrations  © 2009 by Glen River",p:2,x:76,y:1034,w:518,h:22},
{t:"Printed in the United States Of America",p:2,x:76,y:1081,w:319,h:22},
{t:"ISBN  978-1-4357-3885-0",p:2,x:76,y:1136,w:212,h:22},
{t:"3",p:3,x:710,y:43,w:10,h:22},
{t:"Zen Process   ~   Spherical Thinking",p:3,x:190,y:666,w:486,h:36},
{t:"The hermeneutic circle refers to the idea that one's understanding of the text as a",p:3,x:88,y:711,w:643,h:22},
{t:"whole is established by reference to the individual parts and one's understanding",p:3,x:88,y:735,w:642,h:22},
{t:"of each individual part by reference to the whole. Neither the whole text nor any",p:3,x:88,y:759,w:642,h:22},
{t:"individual part can be understood without reference to one another, and hence, it",p:3,x:88,y:782,w:644,h:22},
{t:"is a circle. The concept of spherical thinking multiplies the hermeneutic circle by",p:3,x:88,y:806,w:648,h:22},
{t:"quantum physics and celestial mechanics. The intuitive sense of  spherical think-",p:3,x:88,y:829,w:646,h:22},
{t:"ing is to look outside of local phenomena and position a perspective relevant to",p:3,x:88,y:853,w:633,h:22},
{t:"place, time, and the greater spheres of influence. This point of view includes an",p:3,x:88,y:876,w:635,h:22},
{t:"awareness of process.",p:3,x:88,y:900,w:173,h:22},
{t:"Art is a marriage of discovery and the human perspective. Science continues to",p:3,x:88,y:931,w:632,h:22},
{t:"gather greater perspectives in building the big picture. Art continues to refine a",p:3,x:88,y:955,w:631,h:22},
{t:"metaphor capable of containing these discoveries. With Zen Process we respect",p:3,x:88,y:978,w:635,h:22},
{t:"the complexity of all existence by defining scale in proportion to our limits of per-",p:3,x:88,y:1002,w:658,h:22},
{t:"ception. The search for universal  absolute form is replaced by working models of",p:3,x:88,y:1025,w:655,h:22},
{t:"probabilities suited to relevant perspectives. The need for “The Answer” is re-",p:3,x:88,y:1049,w:625,h:22},
{t:"placed by many answers appropriate to the governing dynamics of the particular",p:3,x:88,y:1072,w:642,h:22},
{t:"perspective “Field.” The observer and observed form the critical center localizing",p:3,x:88,y:1096,w:652,h:22},
{t:"the expression of existence into experienced reality. We look to understand the",p:3,x:88,y:1119,w:630,h:22},
{t:"dynamics mindful that spherical forces are most likely at play. Our metaphorical",p:3,x:88,y:1143,w:643,h:22},
{t:"lens imitates nature as a sphere.",p:3,x:88,y:1166,w:253,h:22},
{t:"4",p:4,x:81,y:43,w:10,h:22},
{t:"Forms ~ Superstructure ~ Universal Dynamics",p:4,x:216,y:77,w:497,h:29},
{t:"Plato’s forms were considered the parent structure \"within\"",p:4,x:216,y:131,w:474,h:22},
{t:"something other than perceived reality. He supposed that the",p:4,x:216,y:155,w:484,h:22},
{t:"essence of object was the Form and that the experienced percep-",p:4,x:216,y:179,w:515,h:22},
{t:"tion were shadows echoing the Form.",p:4,x:216,y:202,w:299,h:22},
{t:"The idea of universals presumed that Form was a distinct singular thing causing",p:4,x:76,y:235,w:638,h:22},
{t:"multiple representations of itself in particular objects. Form being aspatial and",p:4,x:76,y:259,w:625,h:22},
{t:"atemporal (outside of time/space). Today similar ideas in string theory suggest",p:4,x:76,y:282,w:627,h:22},
{t:"that particle super-position exists in a state of all possibliness actualizing in local",p:4,x:76,y:306,w:649,h:22},
{t:"universal matter as partnership with occurrence.",p:4,x:76,y:329,w:384,h:22},
{t:"Form \"Tetrahedron\" is perfect and unchanging. It’s Form",p:4,x:76,y:363,w:458,h:22},
{t:"is exactly the same whenever anyone chooses to consider",p:4,x:76,y:386,w:458,h:22},
{t:"it; time/space is that of the observer and not of the Tetra-",p:4,x:76,y:410,w:454,h:22},
{t:"hedron.",p:4,x:76,y:433,w:60,h:22},
{t:"The Greeks believed there to be three 'ingredients' to",p:4,x:76,y:465,w:421,h:22},
{t:"beauty: symmetry, proportion, and harmony. Pythagoras",p:4,x:76,y:489,w:451,h:22},
{t:"and his students believed that everything was related to",p:4,x:76,y:512,w:442,h:22},
{t:"mathematics and that numbers were the ultimate reality",p:4,x:76,y:536,w:443,h:22},
{t:"and, through mathematics, everything could be predicted",p:4,x:76,y:559,w:455,h:22},
{t:"and measured in rhythmic patterns or cycles.",p:4,x:76,y:583,w:357,h:22},
{t:"The Fibonacci sequence: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610,",p:4,x:76,y:663,w:648,h:22},
{t:"987, 1597, 2584, 4181, 6765, 10946, 17711, 28657, 46368, 75025, 121393 E.T.C.",p:4,x:76,y:687,w:657,h:22},
{t:"shows the progression of PHI. Every third number of the series is an even num-",p:4,x:76,y:710,w:636,h:22},
{t:"ber.",p:4,x:76,y:734,w:30,h:22},
{t:"This produces the PHI spiral known as the golden mean in nature such as the spi-",p:4,x:76,y:774,w:650,h:22},
{t:"ral in a seashell or nebula. The golden mean can be found in everything from vor-",p:4,x:76,y:797,w:654,h:22},
{t:"tex formations of matter to biological systems, solar systems, and galaxies.",p:4,x:76,y:821,w:598,h:22},
{t:"The earliest references to atoms date back to Jainism in India, 6th century BC.",p:4,x:76,y:853,w:625,h:22},
{t:"Democritus coined the term átomos in Greek, which means \"uncuttable\" or \"the",p:4,x:76,y:876,w:638,h:22},
{t:"smallest indivisible particle of matter\". The Hubble Space Telescope has pre-",p:4,x:76,y:900,w:618,h:22},
{t:"sented a big picture suggesting that dark matter and dark energy are formational",p:4,x:76,y:923,w:639,h:22},
{t:"superstructure. This also suggests fundamental patterns as keystones to fundamen-",p:4,x:76,y:947,w:659,h:22},
{t:"tal principals structuring events, and possibly Infinite divisibility and finite struc-",p:4,x:76,y:970,w:649,h:22},
{t:"ture as a partnership in (event horizon as a fulcrum) to twin universal structures.",p:4,x:76,y:994,w:640,h:22},
{t:"So the search for pattern and structure existing in varying systems and/or disci-",p:4,x:76,y:1017,w:633,h:22},
{t:"plines points to cross-referencing. By seeing how something works in one envi-",p:4,x:76,y:1041,w:637,h:22},
{t:"ronment suggest possibilities in new environments. Repeated structures in multi-",p:4,x:76,y:1064,w:646,h:22},
{t:"ple environments suggests principal structures. The well traveled experience of",p:4,x:76,y:1088,w:632,h:22},
{t:"cross media migration and referencing through precedents of time as well as",p:4,x:76,y:1111,w:609,h:22},
{t:"space/place inform the ability to see.",p:4,x:76,y:1135,w:293,h:22},
{t:"Tetrahedron",p:4,x:598,y:590,w:97,h:22},
{t:"5",p:5,x:710,y:43,w:10,h:22},
{t:"Theory  ~  Perception",p:5,x:288,y:974,w:261,h:33},
{t:"Spiral nebula NGC 5457  above.",p:5,x:288,y:1016,w:261,h:22},
{t:"discovered by Pierre Méchain on March 27, 1781",p:5,x:220,y:1040,w:396,h:22},
{t:"Macro imaging provides models for networking theoretical dynamic structures of na-",p:5,x:76,y:1087,w:681,h:22},
{t:"ture. Superstring theory is an attempt to explain micro particles and universal form.",p:5,x:76,y:1110,w:666,h:22},
{t:"6",p:6,x:81,y:43,w:10,h:22},
{t:"Theory  ~  Perception",p:6,x:275,y:711,w:261,h:33},
{t:"Superstring theory is an attempt to explain all of the particles and fundamental",p:6,x:76,y:762,w:627,h:22},
{t:"forces of nature in one theory by modelling them as vibrations of tiny supersym-",p:6,x:76,y:786,w:644,h:22},
{t:"metric strings. An analogy for strings' modes of vibration is a guitar string's pro-",p:6,x:76,y:809,w:642,h:22},
{t:"duction of multiple but distinct musical notes. Different notes correspond to dif-",p:6,x:76,y:833,w:640,h:22},
{t:"ferent particles. The only difference is the guitar is only 2-dimensional, you can",p:6,x:76,y:856,w:637,h:22},
{t:"strum it up, and down. In actuality the guitar strings would be every dimension,",p:6,x:76,y:880,w:636,h:22},
{t:"and the strings could vibrate in any direction. Meaning that the particles could",p:6,x:76,y:903,w:624,h:22},
{t:"move through not only our dimension, but other dimensions as well. Shamanic",p:6,x:76,y:927,w:629,h:22},
{t:"visions speak of a creational spiral which allows passage between worlds and",p:6,x:76,y:950,w:619,h:22},
{t:"time. The history of art refers to to an evolution of symbolic meaning. The quest",p:6,x:76,y:974,w:642,h:22},
{t:"to understand the world around us and within us remains constant. The internet a",p:6,x:76,y:997,w:646,h:22},
{t:"short time ago would have been described as impossible, or as magic. Bucky",p:6,x:76,y:1021,w:613,h:22},
{t:"Fuller described magic as unperceived technology. We need a new model of the",p:6,x:76,y:1044,w:640,h:22},
{t:"universe which offers a user friendly access from a human scale. Our model cre-",p:6,x:76,y:1068,w:643,h:22},
{t:"ated out of the industrial age is in collision with the requirements of an expanding",p:6,x:76,y:1091,w:654,h:22},
{t:"information universe. I created the images to the right from a spherical harmonic",p:6,x:76,y:1115,w:645,h:22},
{t:"program. The following pages present interdisciplinary projects on “Myth Of Cre-",p:6,x:76,y:1139,w:658,h:22},
{t:"ation” and works leading up to interdisciplinary synthesis.",p:6,x:76,y:1162,w:465,h:22},
{t:"7",p:7,x:710,y:43,w:10,h:22},
{t:"8",p:8,x:81,y:43,w:10,h:22},
{t:"Myth Of Creation",p:8,x:462,y:1090,w:191,h:29},
{t:"The human scale is interpreted by many",p:8,x:398,y:1120,w:319,h:22},
{t:"stories of reunification with nature.",p:8,x:417,y:1144,w:281,h:22},
{t:"Pictures from the Johnny Rainbow Ballet",p:8,x:392,y:1167,w:330,h:22},
{t:"9",p:9,x:710,y:43,w:10,h:22},
{t:"Kachina Energy Paintings",p:9,x:260,y:77,w:317,h:33},
{t:"This art created out of native American myth is also part of  Johnny Rainbow.  It",p:9,x:95,y:120,w:645,h:22},
{t:"informs the art created for the stage and movie productions.",p:9,x:180,y:143,w:477,h:22},
{t:"Kachina Woman",p:9,x:179,y:605,w:134,h:22},
{t:"K-1",p:9,x:571,y:1168,w:31,h:22},
{t:"K-40",p:9,x:225,y:1033,w:41,h:22},
{t:"K-02",p:9,x:564,y:613,w:41,h:22},
{t:"Hopi creational myth of reunification",p:9,x:88,y:1070,w:298,h:22},
{t:"with nature, is only one of many such",p:9,x:88,y:1094,w:300,h:22},
{t:"folk stories where humankind tran-",p:9,x:88,y:1117,w:280,h:22},
{t:"scends to an awakened awareness.",p:9,x:88,y:1141,w:274,h:22},
{t:"10",p:10,x:81,y:43,w:20,h:22},
{t:"Johnny Rainbow   (combined projects)",p:10,x:171,y:77,w:466,h:33},
{t:"• ",p:10,x:136,y:653,w:11,h:20},
{t:"Johnny Rainbow  ~  Rock Operetta",p:10,x:166,y:637,w:517,h:40},
{t:"Re-Unification Myth set in a small town run by the corrupt Boss D.",p:10,x:166,y:678,w:451,h:18},
{t:"ο ",p:10,x:166,y:695,w:15,h:24},
{t:"Songs:   (a demo CD is available)",p:10,x:196,y:698,w:269,h:22},
{t:"ο ",p:10,x:196,y:719,w:13,h:20},
{t:"Easy Street  ~  They Say That Love  ~  Hoochie Coochie  ~  Beggars",p:10,x:226,y:721,w:461,h:18},
{t:"◊ ",p:10,x:196,y:739,w:12,h:20},
{t:"Crazy  ~  Tribe  ~  Your Age  ~  Conformity  ~  Hero  ~  Crossroads",p:10,x:226,y:741,w:458,h:18},
{t:"ο ",p:10,x:196,y:758,w:13,h:20},
{t:"Flash Fools  ~  Ethera  ~  Ethera 2  ~  Far Away  ~  Past Life  ~  Brother",p:10,x:230,y:760,w:484,h:18},
{t:"The Rock & Roll Cookbook Mur-",p:10,x:439,y:380,w:272,h:22},
{t:"ders, is completed as a novel.",p:10,x:439,y:404,w:234,h:22},
{t:"Johnny Rainbow is a main character",p:10,x:439,y:427,w:290,h:22},
{t:"who’s band shelters a private eye",p:10,x:439,y:451,w:266,h:22},
{t:"while he sleuths the case. The movie",p:10,x:439,y:474,w:293,h:22},
{t:"includes a concert, band rehearsals",p:10,x:439,y:498,w:278,h:22},
{t:"and background music from Johnny",p:10,x:439,y:521,w:287,h:22},
{t:"Rainbow. Also completed as a",p:10,x:439,y:545,w:243,h:22},
{t:"screen play.",p:10,x:439,y:568,w:95,h:22},
{t:"The “Theater” began when River’s painting left the canvas to find a home on the",p:10,x:76,y:815,w:646,h:22},
{t:"human body. This brought together photography, dance, painting and drama. The",p:10,x:76,y:839,w:650,h:22},
{t:"drama was the action of interactive creativity unfolding as well as a story line. It",p:10,x:76,y:862,w:642,h:22},
{t:"was clear to the players, that the camera was a poor witness to the dynamic event.",p:10,x:76,y:886,w:653,h:22},
{t:"The Johnny Rainbow video, shot at the time of the harmonic convergence, was a",p:10,x:76,y:909,w:645,h:22},
{t:"further lacing together of art, act and transcendence to the metaphorical world",p:10,x:76,y:933,w:623,h:22},
{t:"stage. The essence of creativity is embodied in the act of creation. Becoming the",p:10,x:76,y:956,w:643,h:22},
{t:"object of art is the end of that process. Placing the process in the living environ-",p:10,x:76,y:980,w:638,h:22},
{t:"ment without stopping the process, is Zen Process Theater. This creative perfor-",p:10,x:76,y:1003,w:640,h:22},
{t:"mance process is achieved by brining together various disciplines in the act of",p:10,x:76,y:1027,w:624,h:22},
{t:"creation. As the economic world wants an object of commerce, the Zen Process",p:10,x:76,y:1050,w:636,h:22},
{t:"Theater is crystallized in a show, The Johnny Rainbow Rock Operetta.",p:10,x:76,y:1074,w:565,h:22},
{t:"11",p:11,x:710,y:43,w:20,h:22},
{t:"Ethera was electronic music ex-",p:11,x:88,y:1040,w:255,h:22},
{t:"periments and poetic verse in the",p:11,x:88,y:1064,w:263,h:22},
{t:"voice of a spirit guide. The",p:11,x:88,y:1087,w:215,h:22},
{t:"meta-physical concept of",p:11,x:88,y:1111,w:200,h:22},
{t:"Shamanic transcendence framed",p:11,x:88,y:1134,w:258,h:22},
{t:"the work.",p:11,x:88,y:1158,w:75,h:22},
{t:"The Johnny Rainbow CD Provides songs for the play and Rock Operetta.",p:11,x:126,y:725,w:586,h:22},
{t:"12",p:12,x:81,y:43,w:20,h:22},
{t:"Johnny Rainbow was a myth of creation",p:12,x:410,y:201,w:322,h:22},
{t:"which found a voice in cross media inter-",p:12,x:410,y:225,w:331,h:22},
{t:"pretations. Poetry Cafe was a further step",p:12,x:410,y:248,w:330,h:22},
{t:"in the synthesis of interdisciplinary arts",p:12,x:410,y:272,w:314,h:22},
{t:"into a unified vision. The cross-",p:12,x:410,y:295,w:254,h:22},
{t:"pollination was at the center of the pro-",p:12,x:410,y:319,w:314,h:22},
{t:"ject.",p:12,x:410,y:342,w:33,h:22},
{t:"Poetry Café is a cross-media work of",p:12,x:410,y:383,w:329,h:29},
{t:"music, art, and poetry. Lyrics, poetry,",p:12,x:410,y:413,w:300,h:22},
{t:"short story, and reflections combine to",p:12,x:410,y:437,w:307,h:22},
{t:"propel us into a world dense with mean-",p:12,x:410,y:460,w:321,h:22},
{t:"ing. The craft of words in Poetry Café",p:12,x:410,y:484,w:305,h:22},
{t:"make us participants. We validate the im-",p:12,x:410,y:507,w:332,h:22},
{t:"ages of world and self by our own inter-",p:12,x:410,y:531,w:321,h:22},
{t:"pretation. It is a powerful vision. Hand-",p:12,x:410,y:554,w:316,h:22},
{t:"crafted, it presents a unified experience",p:12,x:410,y:578,w:314,h:22},
{t:"moving beyond the boundaries of con-",p:12,x:410,y:601,w:309,h:22},
{t:"vention into an intelligible front line of",p:12,x:410,y:625,w:312,h:22},
{t:"sensibility. It is a place where art, time,",p:12,x:410,y:648,w:314,h:22},
{t:"space, techno-science, words, music, and",p:12,x:410,y:672,w:328,h:22},
{t:"poetry converge.",p:12,x:410,y:695,w:134,h:22},
{t:"Poetry Cafe    (combined projects)",p:12,x:166,y:93,w:492,h:51},
{t:"13",p:13,x:710,y:43,w:20,h:22},
{t:"Poetry Café  is an elegant combination of blues,",p:13,x:373,y:941,w:415,h:29},
{t:"jazz, and a touch of rock presenting poetry as",p:13,x:373,y:971,w:362,h:22},
{t:"mythic story. In this project which includes a book,",p:13,x:373,y:995,w:410,h:22},
{t:"as well as the CD, words, music, art and the cre-",p:13,x:373,y:1018,w:387,h:22},
{t:"ative spirit converge to a personal vision of our",p:13,x:373,y:1042,w:377,h:22},
{t:"times and identity. “Welcome to the darkness, wel-",p:13,x:373,y:1065,w:408,h:22},
{t:"come to the light.”  We are the seekers and the",p:13,x:373,y:1089,w:372,h:22},
{t:"quest. Symbolic metaphor propels us into a world",p:13,x:373,y:1112,w:397,h:22},
{t:"dense with meaning.",p:13,x:373,y:1136,w:164,h:22},
{t:"Poetry Café Performance",p:13,x:283,y:77,w:303,h:33},
{t:"The Book and CD forms a body of reference. The concert is preformed in an im-",p:13,x:109,y:135,w:646,h:22},
{t:"provisational combination of song, music and poetry. Each performance is an",p:13,x:109,y:159,w:619,h:22},
{t:"original. A voyage of mythical narrative weaves stories into emotion. This origi-",p:13,x:109,y:182,w:644,h:22},
{t:"nal form of expression brings intelligence and artistry to a human level. Depend-",p:13,x:109,y:206,w:645,h:22},
{t:"ing on size of audience and space, the set up may be a small, or a full spectacle.",p:13,x:109,y:229,w:636,h:22},
{t:"14",p:14,x:81,y:43,w:20,h:22},
{t:"Installation",p:14,x:338,y:800,w:135,h:33},
{t:"This presents modular de-construction and re-construction of megafile and",p:14,x:84,y:851,w:597,h:22},
{t:"other pictures for static and dynamic viewing. The process presentations run as",p:14,x:84,y:874,w:631,h:22},
{t:"a continuous play DVD. Interactive programs allow a user multiple viewpoints",p:14,x:84,y:898,w:631,h:22},
{t:"with interactive controls.",p:14,x:84,y:921,w:199,h:22},
{t:"Web Site Creation",p:14,x:295,y:1013,w:219,h:33},
{t:"Text editor, Adobe PhotoShop, assorted task specific programs, digital camera,",p:14,x:84,y:1056,w:633,h:22},
{t:"HTML, Java code, PHP code, CGI code, FTP & script installation process.",p:14,x:84,y:1079,w:599,h:22},
{t:"15",p:15,x:710,y:43,w:20,h:22},
{t:"Cross pollination of media Code mass is a substantial",p:15,x:88,y:831,w:645,h:44},
{t:"factor in approaching a saturation threshold. The threshold is a limit of our ability",p:15,x:88,y:876,w:653,h:22},
{t:"to retain a faithful image of the experience produced by the program. One of my",p:15,x:88,y:900,w:642,h:22},
{t:"concerns is the definition of the \"Human Scale\" and the proportions where we can",p:15,x:88,y:923,w:656,h:22},
{t:"succeed in handling information. Beyond the saturation point we tend to laps into",p:15,x:88,y:947,w:651,h:22},
{t:"a haze of experience. The haze is a disorientation which can become a norm under",p:15,x:88,y:970,w:659,h:22},
{t:"prolonged sensory overload. Both in life an in art, one of the greatest benefits of",p:15,x:88,y:994,w:641,h:22},
{t:"learned disciplined seeing is the ability to understand the many parts as well as",p:15,x:88,y:1017,w:630,h:22},
{t:"the experienced whole. This is important because the parts include the history of",p:15,x:88,y:1041,w:643,h:22},
{t:"being as it is experienced within the moment. The momentary effect of being here",p:15,x:88,y:1064,w:655,h:22},
{t:"now, includes all the details building the moment. Disorienting views of \"The",p:15,x:88,y:1088,w:621,h:22},
{t:"New Media\" re-presents the many parts which build the whole.",p:15,x:88,y:1111,w:505,h:22},
{t:"16",p:16,x:81,y:43,w:20,h:22},
{t:"The Big Picture",p:16,x:332,y:905,w:147,h:25},
{t:"Installation   13’X 11’",p:16,x:317,y:932,w:177,h:22},
{t:"Mixed Media  on  30  panels, each panel 20”X 30”",p:16,x:203,y:956,w:406,h:22},
{t:"This is a physical metaphor reflecting the impact of the digital window. Parts of",p:16,x:76,y:1003,w:638,h:22},
{t:"this work continue to migrate into new media. The following pages present origi-",p:16,x:76,y:1026,w:650,h:22},
{t:"nal works and the image as it migrates into new forms. The definitions of art as",p:16,x:76,y:1050,w:633,h:22},
{t:"we might have known it enter into a relative world. In this world of new media",p:16,x:76,y:1073,w:630,h:22},
{t:"our experience is defined by evolution and process.",p:16,x:76,y:1097,w:411,h:22},
{t:"17",p:17,x:710,y:43,w:20,h:22},
{t:"The Big Picture",p:17,x:302,y:119,w:232,h:40},
{t:"The Big Picture is an expression of my esthetic migration to a synthesis. My",p:17,x:88,y:208,w:611,h:22},
{t:"attitude toward creativity described as Zen Process takes the art to a new",p:17,x:88,y:231,w:580,h:22},
{t:"resolution. This particular resolution freezes time as well as parts of separate",p:17,x:88,y:255,w:612,h:22},
{t:"visions. The start of my path in art was the physical organization of light in the",p:17,x:88,y:278,w:630,h:22},
{t:"discipline of painting. The Big Picture Installation is 30 panels which are 20\"x",p:17,x:88,y:302,w:628,h:22},
{t:"30\" each hung in a configuration of 6 columns and 5 rows. The approximate size",p:17,x:88,y:325,w:646,h:22},
{t:"of the complete installation is between 13' and 14' tall and 11' wide. The size and",p:17,x:88,y:349,w:647,h:22},
{t:"combination of images offers a new canvas able to encompass a greater scope.",p:17,x:88,y:372,w:627,h:22},
{t:"Some of the source materials are paintings originally created from 1965 through",p:17,x:88,y:396,w:641,h:22},
{t:"2007. Between dissection and re-painting, the original context is drastically",p:17,x:88,y:419,w:603,h:22},
{t:"altered. The images and original intentions continue to succeed in this migration.",p:17,x:88,y:443,w:646,h:22},
{t:"The Big Picture is in fact a much closer depiction of how I experience the life in",p:17,x:88,y:466,w:643,h:22},
{t:"art construct. This view is now absorbed into my art and presented as an",p:17,x:88,y:490,w:577,h:22},
{t:"individual work.  This work also depicts periods within my larger body of art.",p:17,x:88,y:514,w:622,h:22},
{t:"During these periods, fidelity to local discovery permeated my consciousness. My",p:17,x:88,y:537,w:656,h:22},
{t:"overview of a greater vision was realized in the compression of time. Part of my",p:17,x:88,y:561,w:641,h:22},
{t:"concept of art is art as intentional artifact of its time.",p:17,x:88,y:584,w:419,h:22},
{t:"The Big Picture was influenced by several art viewing experiences. The world",p:17,x:88,y:632,w:627,h:22},
{t:"wide web provided frames of images which would shift and offer new related or",p:17,x:88,y:656,w:642,h:22},
{t:"fragmented images. Sometimes the relationships were not immediately clear.",p:17,x:88,y:679,w:615,h:22},
{t:"Another influence was a show at The Center for Curatorial Studies at Bard",p:17,x:88,y:703,w:597,h:22},
{t:"College . The show required that each artist fit whatever material they desired into",p:17,x:88,y:726,w:658,h:22},
{t:"a hanging file folder. These folders contained paintings, prints, P.R. material, CD",p:17,x:88,y:750,w:650,h:22},
{t:"and DVD works, and one artist simply cut up a very large painting into pieces",p:17,x:88,y:773,w:623,h:22},
{t:"which would fit into the folder. I was intrigued by this show and went through",p:17,x:88,y:797,w:626,h:22},
{t:"every folder. I was impressed by the cut up painting because it took guts to do the",p:17,x:88,y:820,w:653,h:22},
{t:"cutting and kept the purity of the art. Both the web and the show at Bard",p:17,x:88,y:844,w:578,h:22},
{t:"underlined multiple points of view and glimpses through time. My work has gone",p:17,x:88,y:867,w:653,h:22},
{t:"through various periods that express my thirst for discovery. At this time, my",p:17,x:88,y:891,w:617,h:22},
{t:"need for a gathering up from these periods into a larger vision reaching toward",p:17,x:88,y:914,w:629,h:22},
{t:"unity brings me to the present series of works forming The Big Picture.   The",p:17,x:88,y:938,w:617,h:22},
{t:"greater view includes migration into digital media and the world wide web.",p:17,x:88,y:961,w:601,h:22},
{t:"On The Web:",p:17,x:355,y:1028,w:126,h:25},
{t:"~   http://glenriver.com/art/Big_Picture/Big_picture_s.html    ~",p:17,x:167,y:1060,w:502,h:22},
{t:"18",p:18,x:81,y:43,w:20,h:22},
{t:"19",p:19,x:710,y:43,w:20,h:22},
{t:"Mega File",p:19,x:357,y:86,w:122,h:33},
{t:"Mega file construction is an experimental digital picture which is huge. It can be",p:19,x:88,y:137,w:644,h:22},
{t:"experienced with a viewing program. The experience is basically zooming in to",p:19,x:88,y:160,w:636,h:22},
{t:"details of the picture which expand into a newly defined interior microcosm. The",p:19,x:88,y:184,w:647,h:22},
{t:"clarity of the microcosm contains more levels to zoom in further. The viewer may",p:19,x:88,y:207,w:654,h:22},
{t:"at any time roam the picture in any direction as well as zooming in and out. Al-",p:19,x:88,y:231,w:634,h:22},
{t:"though this is a 2D picture, the experience has a feeling of flying. In a later pro-",p:19,x:88,y:254,w:637,h:22},
{t:"ject I will bring it into a virtual 3D space with sculptural movement.",p:19,x:88,y:278,w:544,h:22},
{t:"20",p:20,x:81,y:43,w:20,h:22},
{t:"The Big Picture Show",p:20,x:161,y:93,w:531,h:66},
{t:"Convergence Of Art, Movies, Dance ~ In Concert",p:20,x:112,y:160,w:600,h:33},
{t:"Digital Magic",p:20,x:297,y:215,w:260,h:51},
{t:"The computer has become the keystone for orchestrating the digital magic. The in-",p:20,x:76,y:299,w:661,h:22},
{t:"tegration of audio, projected images, sequenced images, and stage elements, inter-",p:20,x:76,y:323,w:657,h:22},
{t:"act with dancers and lead performers. Both live and programmed images inter-",p:20,x:76,y:346,w:629,h:22},
{t:"weave to enhance and amplify the performance. The perspective developed out of",p:20,x:76,y:370,w:655,h:22},
{t:"the fine art installation “Big Picture,” and the dynamic web pages orchestrated with",p:20,x:76,y:393,w:668,h:22},
{t:"code are the core. From this core, new technologies with the focus of the project",p:20,x:76,y:417,w:641,h:22},
{t:"continue the Big Picture Show.",p:20,x:76,y:440,w:249,h:22},
{t:"~",p:20,x:421,y:487,w:12,h:25},
{t:"Dynamic Web Show",p:20,x:288,y:536,w:247,h:33},
{t:"  On The Web:  http://glenriver.com/art/P_Cafe_6x8/index.php",p:20,x:118,y:570,w:587,h:25},
{t:"http://glenriver.com/art/Big_Picture/3.html",p:20,x:211,y:597,w:401,h:25},
{t:"21",p:21,x:710,y:43,w:20,h:22},
{t:"The Big Picture Installation 13’X 11’",p:21,x:245,y:77,w:336,h:25},
{t:"Mixed Media  on  30  panels, each panel 20”X 30”",p:21,x:210,y:104,w:406,h:22},
{t:"The Big Picture Show",p:21,x:308,y:996,w:236,h:29},
{t:"Visual art migrates onto the stage featuring projected images and rows of large TV",p:21,x:93,y:1040,w:662,h:22},
{t:"screens displaying sequenced images interlaced with dancers depicting a thematic",p:21,x:93,y:1064,w:654,h:22},
{t:"story such as the Johnny Rainbow Rock Operetta. The big show is the engine pro-",p:21,x:93,y:1087,w:657,h:22},
{t:"ducing an experience to inspire concert goers. Big is beautiful. Just like cutting",p:21,x:93,y:1111,w:632,h:22},
{t:"edge movies, daring creativity and digital magic are necessary to entertain.",p:21,x:93,y:1134,w:598,h:22},
{t:"22",p:22,x:81,y:43,w:20,h:22},
{t:"New Media",p:22,x:262,y:129,w:281,h:66},
{t:"Off The Canvas",p:22,x:255,y:1073,w:297,h:51},
{t:"23",p:23,x:710,y:43,w:20,h:22},
{t:"24",p:24,x:81,y:43,w:20,h:22},
{t:"25",p:25,x:710,y:43,w:20,h:22},
{t:"Print Making",p:25,x:245,y:101,w:176,h:36},
{t:"The picture at the right is of a linoleum block created in",p:25,x:103,y:158,w:445,h:22},
{t:"1961. My work in printmaking includes, wood block,",p:25,x:103,y:182,w:427,h:22},
{t:"etching, stone lithography, zinc plate lithography, dot",p:25,x:103,y:205,w:428,h:22},
{t:"matrix, inkjet, laser, monoprint, silk screen, photo-",p:25,x:103,y:229,w:405,h:22},
{t:"graphic, and combinations of these in mixed media.",p:25,x:103,y:252,w:413,h:22},
{t:"Many works starting as prints migrate into paintings.",p:25,x:103,y:276,w:423,h:22},
{t:"They serve the basis for a series in an in depth study.",p:25,x:103,y:299,w:423,h:22},
{t:"Print making is an arena where techno-science has",p:25,x:103,y:323,w:403,h:22},
{t:"evolved and converged with old masters methods and",p:25,x:103,y:346,w:429,h:22},
{t:"modern digital technologies.",p:25,x:103,y:370,w:228,h:22},
{t:"A modern twist is the importing of conventional art such as oil paintings into the",p:25,x:103,y:393,w:645,h:22},
{t:"digital domain. There, manipulation can transform the picture into a far abstrac-",p:25,x:103,y:417,w:638,h:22},
{t:"tion of it’s parent image. I started this process with an Amiga computer. While",p:25,x:103,y:440,w:628,h:22},
{t:"computers offer millions of color possibilities, the intelligence to create nuances",p:25,x:103,y:464,w:641,h:22},
{t:"relevant to the human scale is absent. I quickly discovered that colors I imported",p:25,x:103,y:487,w:644,h:22},
{t:"from works of art were far superior in building a palettes. The image in the digital",p:25,x:103,y:511,w:655,h:22},
{t:"domain is what print makers call a matrix. My more recent Web-Works are dy-",p:25,x:103,y:534,w:633,h:22},
{t:"namic printmaking resolving on a web browsers and a matrix including several",p:25,x:103,y:558,w:632,h:22},
{t:"languages of code. The code are the rules by which the image unfolds, although",p:25,x:103,y:581,w:638,h:22},
{t:"the code itself remains invisible.",p:25,x:103,y:605,w:259,h:22},
{t:"Tech SCI & Art Convergence",p:25,x:103,y:638,w:356,h:33},
{t:"(relative from uniformity)  The idea with the grouping of images is very different",p:25,x:103,y:681,w:649,h:22},
{t:"than other field frame web works. My play here is a slice &n dice on the imitation",p:25,x:103,y:705,w:656,h:22},
{t:"of nature. My experience as a landscape painter is closer to these shifting frames",p:25,x:103,y:728,w:644,h:22},
{t:"than the picture of a painting. When I do the landscape painting I am freezing a",p:25,x:103,y:752,w:634,h:22},
{t:"single frame in time and taking it out of the environment and presenting it as a",p:25,x:103,y:775,w:626,h:22},
{t:"thing. A painting. My actual experience is the flowing montage of visual experi-",p:25,x:103,y:799,w:643,h:22},
{t:"ence. The actual landscape offers a multitude of possibilities any of which may be",p:25,x:103,y:822,w:656,h:22},
{t:"fitted to a frame and called “The Landscape.” The single frame depicted in a",p:25,x:103,y:846,w:611,h:22},
{t:"painting is the symbolic re-presentation of the idea of the \"Landscape.\" Our",p:25,x:103,y:869,w:604,h:22},
{t:"shared literature of symbols within our culture makes the \"Landscape\" icon un-",p:25,x:103,y:893,w:634,h:22},
{t:"derstood. All of the frames in this program might be “Landscape” picture parts.",p:25,x:103,y:916,w:634,h:22},
{t:"Those which might seem abstract are details or re-oriented parts and on only a",p:25,x:103,y:940,w:625,h:22},
{t:"few cases a composite symmetrical image. I will explore the concepts of symme-",p:25,x:103,y:963,w:648,h:22},
{t:"try, super-symmetry, and meta-symmetry in later programs. It is interesting to",p:25,x:103,y:987,w:622,h:22},
{t:"note that while steeped in code writing, for art I began to experience the under-",p:25,x:103,y:1010,w:632,h:22},
{t:"standing of code in nature. Seeing a gentle breeze turn over leaves on trees, seeing",p:25,x:103,y:1034,w:658,h:22},
{t:"strata of clouds at different levels, all governed by code of vector equilibrium.",p:25,x:103,y:1057,w:624,h:22},
{t:"Massive convergence of coded fieldforms in nature are an awe inspiring vision.",p:25,x:103,y:1081,w:636,h:22},
{t:"Like traditional print making and digital forms the matrix is the invisible structure",p:25,x:103,y:1104,w:656,h:22},
{t:"producing what we experience. Some of the images I have included are a mar-",p:25,x:103,y:1128,w:627,h:22},
{t:"riage of traditional art migrating through a digital matrix governed by complex",p:25,x:103,y:1151,w:630,h:22},
{t:"algorithms and code.",p:25,x:103,y:1175,w:167,h:22},
{t:"26",p:26,x:81,y:43,w:20,h:22},
{t:"Web Art  is derived form \"Parts\" taken from paintings. Re-Birthed in the",p:26,x:76,y:104,w:653,h:44},
{t:"digital domain, they are organized in groups and called by the program. The pro-",p:26,x:76,y:149,w:647,h:22},
{t:"gram I am using is a Java script display window maxed with code. I have re-",p:26,x:76,y:173,w:612,h:22},
{t:"written the program to a multi-grouped modular complex including variables",p:26,x:76,y:196,w:615,h:22},
{t:"within the sub groups. The design is similar to a digital colony. This program is a",p:26,x:76,y:220,w:650,h:22},
{t:"progression of the called picture parts starting from uniformity. This uniformity is",p:26,x:76,y:244,w:655,h:22},
{t:"repeated through several cycles re-presenting the parts, displaying the field form",p:26,x:76,y:267,w:643,h:22},
{t:"created by them. The translation of uniformity in the repetition of the single parts",p:26,x:76,y:291,w:649,h:22},
{t:"dramatically changes the field form though the display system is unchanged. The",p:26,x:76,y:314,w:648,h:22},
{t:"stager in display is a real time wave form created by memory delay in loading. It",p:26,x:76,y:338,w:644,h:22},
{t:"is not in the code. However it is played with, and later influences the code. While",p:26,x:76,y:361,w:650,h:22},
{t:"this program is simple, it represents a significant metaphorical model outlining",p:26,x:76,y:385,w:629,h:22},
{t:"my long standing concerns with field forms, wave forms, code, and experiential",p:26,x:76,y:408,w:638,h:22},
{t:"translations to the individual persona defined by the abilities of perception.",p:26,x:76,y:432,w:599,h:22},
{t:"27",p:27,x:710,y:43,w:20,h:22},
{t:"28",p:28,x:81,y:43,w:20,h:22},
{t:"Hand Made Books",p:28,x:300,y:101,w:225,h:33},
{t:"29",p:29,x:710,y:43,w:20,h:22},
{t:"30",p:30,x:81,y:43,w:20,h:22},
{t:"31",p:31,x:710,y:43,w:20,h:22},
{t:"• ",p:31,x:88,y:474,w:14,h:24},
{t:"On Demand Books:   (available on the web: GlenRiver.com)",p:31,x:118,y:470,w:541,h:29},
{t:"• ",p:31,x:148,y:502,w:11,h:20},
{t:"Art Migration To New Media   48 Full Color Pages, 6.63\" x 10.25\"",p:31,x:178,y:501,w:491,h:22},
{t:"• ",p:31,x:148,y:526,w:11,h:20},
{t:"Paris Journal        60 Full Color Pages, 6.63\" x 10.25\"",p:31,x:178,y:524,w:382,h:22},
{t:"• ",p:31,x:148,y:549,w:11,h:20},
{t:"Silvermine 7         32 Full Color Pages, 6.63\" x 10.25\"",p:31,x:178,y:548,w:386,h:22},
{t:"• ",p:31,x:148,y:573,w:11,h:20},
{t:"Cubist Influence   36 Full Color Pages (50 years of making art)",p:31,x:178,y:571,w:446,h:22},
{t:"• ",p:31,x:148,y:596,w:11,h:20},
{t:"Poetry Cafe            6”x9” Paperback",p:31,x:178,y:595,w:259,h:22},
{t:"• ",p:31,x:148,y:620,w:11,h:20},
{t:"Poetry Cafe           28 Full Color Pages, 6.63\" x 10.25\"",p:31,x:178,y:619,w:382,h:22},
{t:"• ",p:31,x:148,y:643,w:11,h:20},
{t:"Lingo                        6”x9” Paperback    (Poetry)  100 pages",p:31,x:178,y:642,w:411,h:22},
{t:"• ",p:31,x:148,y:667,w:11,h:20},
{t:"Zen Process         6”x9” Paperback    (Avant Guard)",p:31,x:178,y:666,w:369,h:22},
{t:"• ",p:31,x:148,y:690,w:11,h:20},
{t:"Blake Street           6”x9” Paperback    (Drawings)",p:31,x:178,y:689,w:353,h:22},
{t:"• ",p:31,x:148,y:714,w:11,h:20},
{t:"Silvermine            6”x9” Paperback    (Memories Of An Art School)",p:31,x:178,y:713,w:479,h:22},
{t:"• ",p:31,x:148,y:737,w:11,h:20},
{t:"Retrospective        132 pages, 8.25\" x 10.75\", hardcover, full-color",p:31,x:178,y:736,w:464,h:22},
{t:"• ",p:31,x:148,y:758,w:11,h:20},
{t:"Cityscape 08              28 Full Color Pages, 6.63\" x 10.25\"",p:31,x:178,y:759,w:385,h:18},
{t:"• ",p:31,x:148,y:777,w:11,h:20},
{t:"Yale Paintings 08      28 Full Color Pages, 6.63\" x 10.25\"",p:31,x:178,y:779,w:383,h:18},
{t:"• ",p:31,x:148,y:797,w:11,h:20},
{t:"Voyage                       6”x9” Paperback   3 Poets, dual Language, with drawings",p:31,x:178,y:799,w:535,h:18},
{t:"• ",p:31,x:88,y:842,w:14,h:24},
{t:"On Demand Screen Shows:   (pictures & music)",p:31,x:118,y:838,w:462,h:29},
{t:"These programs run on PC only",p:31,x:186,y:869,w:254,h:22},
{t:"Portraits  ~  Table Settings  ~  Landscapes  ~  Silvermine 7  ~  Art Journal",p:31,x:111,y:892,w:592,h:22},
{t:"Product and Process",p:31,x:306,y:955,w:216,h:29},
{t:"Works Of Art  ~  Performance  ~  Books   ~   CDs   ~  DVDs",p:31,x:130,y:986,w:569,h:25},
{t:"Story  ~  Poetry  ~  Scripts   ~   Movies",p:31,x:232,y:1013,w:364,h:25},
{t:"The underlying reality of products created by River is that they are scooped from",p:31,x:88,y:1048,w:648,h:22},
{t:"the creative flow. The package is an expression of our social expectations. The",p:31,x:88,y:1071,w:629,h:22},
{t:"content  is dynamic creativity expressing a passionate mind committed to inter-",p:31,x:88,y:1095,w:634,h:22},
{t:"disciplinary arts.",p:31,x:88,y:1119,w:133,h:22},
{t:"On Demand Books, E-Books &  Screen Shows",p:31,x:132,y:77,w:565,h:33},
{t:"Similar to the Big Picture, Books create modular",p:31,x:303,y:149,w:389,h:22},
{t:"windows into the creative process. Just like the Big",p:31,x:303,y:172,w:410,h:22},
{t:"Picture they have also migrated on to the web and",p:31,x:303,y:196,w:399,h:22},
{t:"new media technologies. Again they combine old",p:31,x:303,y:219,w:395,h:22},
{t:"world mastery with new media.",p:31,x:303,y:243,w:252,h:22},
{t:"Lingo  is a comprehensive collection of poetry.",p:31,x:303,y:283,w:393,h:29},
{t:"These works span many years of life, words, and the",p:31,x:303,y:330,w:420,h:22},
{t:"inspiration which moves the spirit. If wisdom was an",p:31,x:303,y:354,w:423,h:22},
{t:"action adventure story it would be called Lingo. In-",p:31,x:303,y:377,w:411,h:22},
{t:"sights into the human condition framed by the times,",p:31,x:303,y:401,w:421,h:22},
{t:"draw the canvas for these word pictures.",p:31,x:303,y:424,w:322,h:22},
{t:"32",p:32,x:81,y:43,w:20,h:22},
{t:"33",p:33,x:710,y:43,w:20,h:22},
{t:"Portraits Of Place",p:33,x:328,y:77,w:189,h:29},
{t:"Landscapes And Cityscapes",p:33,x:311,y:108,w:223,h:22},
{t:"This is an extensive project developed over many years. It is",p:33,x:181,y:131,w:483,h:22},
{t:"depicted by 10 books with 48 full color pages in each, some shown to the left.",p:33,x:111,y:155,w:623,h:22},
{t:"34",p:34,x:81,y:43,w:20,h:22},
{t:"Rebirth Series",p:34,x:76,y:78,w:227,h:44},
{t:"Energy and matter have a special rela-",p:34,x:76,y:131,w:306,h:22},
{t:"tionship in my work. There is metaphor-",p:34,x:76,y:155,w:323,h:22},
{t:"ical link to physics, the unified field,",p:34,x:76,y:178,w:293,h:22},
{t:"(super structure) periodically appearing",p:34,x:76,y:202,w:316,h:22},
{t:"as chaos, matter (formation on objective",p:34,x:76,y:225,w:321,h:22},
{t:"level),  sometimes appearing as realism",p:34,x:76,y:249,w:315,h:22},
{t:"or representational art. Energy works are",p:34,x:76,y:272,w:326,h:22},
{t:"representing non object defined field-",p:34,x:76,y:296,w:301,h:22},
{t:"forms at a point of internal resolution.",p:34,x:76,y:319,w:303,h:22},
{t:"The “Cutting Board” painting to the",p:34,x:76,y:343,w:288,h:22},
{t:"right shows the beginning of the rebirth.",p:34,x:76,y:366,w:321,h:22},
{t:"Marks start to fly around separated but",p:34,x:76,y:390,w:309,h:22},
{t:"still influenced by the original object de-",p:34,x:76,y:413,w:325,h:22},
{t:"piction. Just to the right, on the next",p:34,x:76,y:437,w:288,h:22},
{t:"page a representational work has made",p:34,x:76,y:460,w:310,h:22},
{t:"the full rebirth journey. Under the ener-",p:34,x:76,y:484,w:317,h:22},
{t:"getic field an image as tightly constructed as “Cutting Board” previously existed.",p:34,x:76,y:507,w:648,h:22},
{t:"The painting on the far right focuses on marks as independent entities existing in",p:34,x:76,y:531,w:645,h:22},
{t:"a open space within the field. The painting below strives to balance a super-",p:34,x:76,y:554,w:607,h:22},
{t:"saturated field with organizing forms intuiting but not becoming a world of ob-",p:34,x:76,y:578,w:633,h:22},
{t:"ject. It was created from a view through a farmhouse window by moonlight.",p:34,x:76,y:601,w:608,h:22},
{t:"35",p:35,x:710,y:43,w:20,h:22},
{t:"Object field relationships are",p:35,x:88,y:500,w:231,h:22},
{t:"underlined in the two works to",p:35,x:88,y:524,w:244,h:22},
{t:"the right. The accentuated",p:35,x:88,y:547,w:207,h:22},
{t:"marks are organized into rela-",p:35,x:88,y:571,w:239,h:22},
{t:"tive color and orchestration",p:35,x:88,y:594,w:219,h:22},
{t:"representing objects. However",p:35,x:88,y:618,w:243,h:22},
{t:"the structure is un-realistic, yet",p:35,x:88,y:641,w:247,h:22},
{t:"we see the objects. Dominated",p:35,x:88,y:665,w:243,h:22},
{t:"by pattern and strident color",p:35,x:88,y:688,w:225,h:22},
{t:"we are pushed to an edge of",p:35,x:88,y:712,w:223,h:22},
{t:"perception. The balance be-",p:35,x:88,y:735,w:222,h:22},
{t:"tween image and super active",p:35,x:88,y:759,w:236,h:22},
{t:"fields will not let go of the ob-",p:35,x:88,y:782,w:243,h:22},
{t:"jects or the abstraction. In the",p:35,x:88,y:806,w:236,h:22},
{t:"bottom image, color bars at the",p:35,x:88,y:829,w:248,h:22},
{t:"top left and bottom right state",p:35,x:88,y:853,w:237,h:22},
{t:"the palette. The diagonal col-",p:35,x:88,y:876,w:233,h:22},
{t:"umn re-configures the abstrac-",p:35,x:88,y:900,w:244,h:22},
{t:"tion using several algorithms.",p:35,x:88,y:924,w:236,h:22},
{t:"This is an example of art mi-",p:35,x:88,y:947,w:230,h:22},
{t:"gration onto new media. The",p:35,x:88,y:971,w:230,h:22},
{t:"field elements are exactly the",p:35,x:88,y:994,w:234,h:22},
{t:"same. The re-organization via",p:35,x:88,y:1018,w:238,h:22},
{t:"the matrix gives us an entirely",p:35,x:88,y:1041,w:241,h:22},
{t:"differing perspective. Perhaps",p:35,x:88,y:1065,w:239,h:22},
{t:"these relationships are why I",p:35,x:88,y:1088,w:228,h:22},
{t:"am fond of working a group of",p:35,x:88,y:1112,w:246,h:22},
{t:"works in the context of the",p:35,x:88,y:1135,w:213,h:22},
{t:"series.",p:35,x:88,y:1159,w:50,h:22},
{t:"36",p:36,x:81,y:43,w:20,h:22},
{t:"Abstract Paintings",p:36,x:292,y:77,w:224,h:33},
{t:"37",p:37,x:710,y:43,w:20,h:22},
{t:"Art Periods of work are exemplified",p:37,x:88,y:77,w:291,h:22},
{t:"by 48 full color pages in the books on",p:37,x:88,y:101,w:302,h:22},
{t:"this page. Each book displays exam-",p:37,x:88,y:124,w:292,h:22},
{t:"ples associated with a specific period",p:37,x:88,y:148,w:297,h:22},
{t:"in the artists work.",p:37,x:88,y:171,w:148,h:22},
{t:"38",p:38,x:81,y:43,w:20,h:22},
{t:"~ Voyage ~",p:38,x:344,y:92,w:137,h:33},
{t:"Bi-Lingual Poetry Book and Presentation",p:38,x:164,y:127,w:497,h:33},
{t:"Silvermine  College Of Art",p:38,x:97,y:770,w:253,h:25},
{t:"Memories Of An Art School",p:38,x:129,y:797,w:191,h:18},
{t:"A personal account of a period",p:38,x:93,y:840,w:246,h:22},
{t:"of time at a school which ef-",p:38,x:93,y:864,w:228,h:22},
{t:"fected a profound change in",p:38,x:93,y:887,w:223,h:22},
{t:"many lives. Friends, love, mar-",p:38,x:93,y:911,w:249,h:22},
{t:"riage, art, and a separate reality.",p:38,x:93,y:934,w:255,h:22},
{t:"The time was the 60s, the vision",p:38,x:93,y:958,w:258,h:22},
{t:"was art, the quest was for truth.",p:38,x:93,y:981,w:251,h:22},
{t:"3 Poets",p:38,x:556,y:200,w:87,h:33},
{t:"Ted Gill",p:38,x:455,y:258,w:87,h:29},
{t:"Josie Peralta",p:38,x:455,y:289,w:133,h:29},
{t:"Glen River",p:38,x:455,y:320,w:117,h:29},
{t:"In addition to the book, a DVD is in",p:38,x:455,y:397,w:288,h:22},
{t:"production. This project was in-",p:38,x:455,y:421,w:256,h:22},
{t:"spired by the readings hosted by",p:38,x:455,y:444,w:258,h:22},
{t:"Josie Parelta in Woodstock, NY.",p:38,x:455,y:468,w:260,h:22},
{t:"The book includes drawings as well",p:38,x:455,y:515,w:287,h:22},
{t:"as the poetry of Glen River. All the",p:38,x:455,y:539,w:282,h:22},
{t:"poets became aquatinted with each",p:38,x:455,y:562,w:278,h:22},
{t:"others’ work at the Hudson River",p:38,x:455,y:586,w:267,h:22},
{t:"Valley poetry readings.",p:38,x:455,y:609,w:187,h:22},
{t:"39",p:39,x:710,y:43,w:20,h:22},
{t:"~ Silvermine 7 ~",p:39,x:312,y:92,w:201,h:33},
{t:"Movie, Book, Art Show",p:39,x:268,y:127,w:289,h:33},
{t:"Silvermine 7 is a movie presentation on DVD,",p:39,x:352,y:200,w:368,h:22},
{t:"on the web, in print as an Art Book, and as an",p:39,x:352,y:224,w:365,h:22},
{t:"art show. The artists have in common partici-",p:39,x:352,y:247,w:362,h:22},
{t:"pation in The Silvermine College Of Art. Be-",p:39,x:352,y:271,w:363,h:22},
{t:"tween 1958 and 1972 this avant guard art",p:39,x:352,y:294,w:330,h:22},
{t:"school became an art event changing the lives",p:39,x:352,y:318,w:367,h:22},
{t:"of all concerned. This presentation focuses on",p:39,x:352,y:341,w:367,h:22},
{t:"7 of the artists and their work as well as a",p:39,x:352,y:365,w:332,h:22},
{t:"glimpse of the unified vision they shared.",p:39,x:352,y:388,w:331,h:22},
{t:"Artists:",p:39,x:337,y:680,w:58,h:22},
{t:"Stuart Bigley",p:39,x:337,y:729,w:106,h:22},
{t:"George Chaplin",p:39,x:337,y:756,w:127,h:22},
{t:"Brechin Morgan",p:39,x:337,y:783,w:131,h:22},
{t:"Steve Hotvedt",p:39,x:337,y:809,w:113,h:22},
{t:"Tom Scippa",p:39,x:337,y:836,w:96,h:22},
{t:"Gus Moran",p:39,x:337,y:863,w:90,h:22},
{t:"Glen River",p:39,x:337,y:890,w:88,h:22},
{t:"40",p:40,x:81,y:43,w:20,h:22},
{t:"41",p:41,x:710,y:43,w:20,h:22},
{t:"Movies",p:41,x:381,y:65,w:90,h:33},
{t:"I am a very ambitious producer with many projects in various states of prepara-",p:41,x:123,y:109,w:635,h:22},
{t:"tion. Short Art and Documentary movies may be seen on the web at:",p:41,x:123,y:133,w:547,h:22},
{t:"http://glenriver.com/movies/Flash_1/index.html",p:41,x:235,y:156,w:382,h:22},
{t:"• ",p:41,x:93,y:215,w:14,h:24},
{t:"Movie Projects",p:41,x:123,y:211,w:162,h:29},
{t:"• ",p:41,x:153,y:243,w:11,h:20},
{t:"X-Olympia",p:41,x:183,y:241,w:90,h:22},
{t:"• ",p:41,x:153,y:266,w:11,h:20},
{t:"Biography",p:41,x:183,y:265,w:84,h:22},
{t:"• ",p:41,x:153,y:290,w:11,h:20},
{t:"Poetry Dogs",p:41,x:183,y:289,w:99,h:22},
{t:"• ",p:41,x:153,y:313,w:11,h:20},
{t:"Glam Art Scandal",p:41,x:183,y:312,w:144,h:22},
{t:"• ",p:41,x:153,y:337,w:11,h:20},
{t:"Permanent Exile",p:41,x:183,y:336,w:132,h:22},
{t:"• ",p:41,x:153,y:360,w:11,h:20},
{t:"Johnny Rainbow",p:41,x:183,y:359,w:135,h:22},
{t:"• ",p:41,x:153,y:384,w:11,h:20},
{t:"The Brushmaster",p:41,x:183,y:383,w:137,h:22},
{t:"• ",p:41,x:93,y:441,w:14,h:24},
{t:"Past Movie Works  DVD",p:41,x:123,y:437,w:259,h:29},
{t:"• ",p:41,x:153,y:469,w:11,h:20},
{t:"Portraits Of Place",p:41,x:183,y:468,w:142,h:22},
{t:"• ",p:41,x:153,y:492,w:11,h:20},
{t:"Silvermine 7",p:41,x:183,y:491,w:102,h:22},
{t:"• ",p:41,x:153,y:516,w:11,h:20},
{t:"Computer Art",p:41,x:183,y:515,w:111,h:22},
{t:"• ",p:41,x:153,y:539,w:11,h:20},
{t:"Hand Made Art Book",p:41,x:183,y:538,w:173,h:22},
{t:"• ",p:41,x:153,y:563,w:11,h:20},
{t:"Art & Poetry",p:41,x:183,y:562,w:104,h:22},
{t:"• ",p:41,x:153,y:586,w:11,h:20},
{t:"Zen Process 06",p:41,x:183,y:585,w:122,h:22},
{t:"• ",p:41,x:153,y:610,w:11,h:20},
{t:"Art Journal 04  Poetry",p:41,x:183,y:609,w:177,h:22},
{t:"• ",p:41,x:153,y:633,w:11,h:20},
{t:"Thugs 04",p:41,x:183,y:632,w:75,h:22},
{t:"• ",p:41,x:153,y:657,w:11,h:20},
{t:"The Big Secret 03",p:41,x:183,y:656,w:144,h:22},
{t:"• ",p:41,x:153,y:680,w:11,h:20},
{t:"Mira's Song 02",p:41,x:183,y:679,w:121,h:22},
{t:"DigitalArtsTheater.com",p:41,x:439,y:223,w:284,h:33},
{t:"42",p:42,x:81,y:43,w:20,h:22},
{t:"Music",p:42,x:375,y:92,w:75,h:33},
{t:"• ",p:42,x:76,y:154,w:11,h:20},
{t:"Blue Sun CD",p:42,x:106,y:150,w:124,h:25},
{t:"In approximately 1989, the owners of Last Trick Records offered to produce a blues album",p:42,x:129,y:177,w:608,h:18},
{t:"for me. I had meant to do that project but my voice was in bad shape and I wanted to in-",p:42,x:129,y:197,w:589,h:18},
{t:"clude some stronger material. The years slipped by. Now my voice is back and with more",p:42,x:129,y:216,w:598,h:18},
{t:"material to choose from, the time seems right. The process often spans an uncommon",p:42,x:129,y:236,w:569,h:18},
{t:"amount of time. This year I expect to finally record this album.",p:42,x:129,y:256,w:420,h:18},
{t:"ο ",p:42,x:166,y:273,w:15,h:24},
{t:"Songs:",p:42,x:196,y:275,w:54,h:22},
{t:"ο ",p:42,x:196,y:297,w:13,h:20},
{t:"Blue Sun",p:42,x:226,y:299,w:61,h:18},
{t:"ο ",p:42,x:196,y:316,w:13,h:20},
{t:"Bourbon Street",p:42,x:226,y:318,w:101,h:18},
{t:"ο ",p:42,x:196,y:336,w:13,h:20},
{t:"Butterfly",p:42,x:226,y:338,w:60,h:18},
{t:"ο ",p:42,x:196,y:356,w:13,h:20},
{t:"Long Lost Friends",p:42,x:226,y:358,w:123,h:18},
{t:"ο ",p:42,x:196,y:375,w:13,h:20},
{t:"World Wide Blues",p:42,x:226,y:377,w:125,h:18},
{t:"ο ",p:42,x:196,y:395,w:13,h:20},
{t:"My Baby",p:42,x:226,y:397,w:62,h:18},
{t:"ο ",p:42,x:196,y:415,w:13,h:20},
{t:"Saturday",p:42,x:226,y:417,w:59,h:18},
{t:"ο ",p:42,x:196,y:434,w:13,h:20},
{t:"Hot Pants",p:42,x:226,y:436,w:65,h:18},
{t:"ο ",p:42,x:196,y:454,w:13,h:20},
{t:"Crazy",p:42,x:226,y:456,w:39,h:18},
{t:"ο ",p:42,x:196,y:473,w:13,h:20},
{t:"Beggars",p:42,x:226,y:475,w:54,h:18},
{t:"ο ",p:42,x:196,y:493,w:13,h:20},
{t:"Doggy-Brain Blues",p:42,x:226,y:495,w:130,h:18},
{t:"ο ",p:42,x:196,y:513,w:13,h:20},
{t:"Insufficient Funds",p:42,x:226,y:515,w:121,h:18},
{t:"• ",p:42,x:136,y:558,w:11,h:20},
{t:"Classical Works",p:42,x:166,y:554,w:152,h:25},
{t:"Over 50 years of making music has taken me in unexpected directions. The recent sym-",p:42,x:136,y:581,w:585,h:18},
{t:"phonies and concerto for guitar have re-kindled my love of classical forms.",p:42,x:136,y:601,w:501,h:18},
{t:"ο ",p:42,x:166,y:618,w:15,h:24},
{t:"Compositions:",p:42,x:196,y:620,w:116,h:22},
{t:"ο ",p:42,x:196,y:642,w:13,h:20},
{t:"Concerto 2 For Guitar",p:42,x:226,y:644,w:148,h:18},
{t:"ο ",p:42,x:196,y:661,w:13,h:20},
{t:"Symphony #3",p:42,x:226,y:663,w:93,h:18},
{t:"• ",p:42,x:136,y:707,w:11,h:20},
{t:"Soundtrack Works",p:42,x:166,y:703,w:174,h:25},
{t:"Music for movies is always an experimental portrait.",p:42,x:136,y:730,w:352,h:18},
{t:"A compilation CD is in the works.",p:42,x:196,y:749,w:229,h:18},
{t:"43",p:43,x:710,y:43,w:20,h:22},
{t:"Music",p:43,x:375,y:77,w:75,h:33},
{t:"Audio - Engineer",p:44,x:76,y:77,w:208,h:33},
{t:"Acoustic Designer, Electronic Systems, Audio Mix Artist",p:44,x:76,y:146,w:460,h:22},
{t:"Recordings, 1964 Uher 4 track (home studio), 1968-1971 various studio demo",p:44,x:76,y:193,w:626,h:22},
{t:"sessions, 1975 Victoria (analogue master), 1979 Hearts (vinyl album), 1981 Folk",p:44,x:76,y:217,w:647,h:22},
{t:"(analogue master), 1984 River Rock (analogue master), 1998 Johnny Rainbow",p:44,x:76,y:240,w:629,h:22},
{t:"(Ballet with The Bisceglie Ballet), 2000 ETHERA (music CD), 2003 The Big Se-",p:44,x:76,y:264,w:654,h:22},
{t:"cret (motion picture), 2003 Retro B1 (music CD), 2004 Raga Guitar (music CD),",p:44,x:76,y:287,w:647,h:22},
{t:"2004 Thugs DVD, 2005 Concerto #2 For Guitar (music CD), 2005 Symphony",p:44,x:76,y:311,w:625,h:22},
{t:"#3 (music CD), 2006 Poetry Cafe (music & poetry-songs CD), 2009 Blue Sun",p:44,x:76,y:334,w:625,h:22},
{t:"(music CD)",p:44,x:76,y:358,w:93,h:22},
{t:"Recording Equipment:",p:44,x:76,y:405,w:181,h:22},
{t:"Mini cassette (mono), Uher (4 track), Teack (4 track), Revox B-77, MCI 24",p:44,x:76,y:428,w:605,h:22},
{t:"track .. Allen Heath board, Tascam (8 track) w/dbx noise reduction, Tascam",p:44,x:76,y:452,w:608,h:22},
{t:"DA-88 digital multi track, Rolland 16x48 track digital recorder, Digi Design",p:44,x:76,y:475,w:611,h:22},
{t:"rack firewire break out box .. Pro Tools Computer Recording",p:44,x:76,y:499,w:489,h:22},
{t:"Electronic Instruments:",p:44,x:76,y:546,w:187,h:22},
{t:"Rolland Keys, Shadow Guitar MIDI Converter, Arp Avatar, Rolland GR-300,",p:44,x:76,y:569,w:623,h:22},
{t:"Oberhiem Expander Modules, Yamaha v-15, Proteus 2000, Rolland Synth,",p:44,x:76,y:593,w:599,h:22},
{t:"Propellerhead Reason, Eventide Clockworks Harmonizer, Echoplex, Fender",p:44,x:76,y:616,w:609,h:22},
{t:"Stratocaster, Allen Heath Mixer, Macki Mixers, Rolland Mixers, Pro. Studio",p:44,x:76,y:640,w:613,h:22},
{t:"Multitracks, Cakewalk, Pro Tools, Steinberg, Sonar v3, Soundforge, Song",p:44,x:76,y:664,w:593,h:22},
{t:"Writer Pro, Hologramaphone Laboratories, theremin, Moog, Analogue & Digital",p:44,x:76,y:687,w:647,h:22},
{t:"Delays, Keyboard Computer Control Surface, Anvil Studio MIDI program,",p:44,x:76,y:711,w:602,h:22},
{t:"Music Masterworks program, Jammer Professional, Sample Tank, J L",p:44,x:76,y:734,w:559,h:22},
{t:"Cooper Digital MIDI Patchbay, Furman power conditioner, Joe Meek Studio",p:44,x:76,y:758,w:615,h:22},
{t:"channel, Ken Shafer Omnipressor, Phase Shifters, Alisis Air FX, ART guitar",p:44,x:76,y:781,w:615,h:22},
{t:"multi effects processor, DigiTech GNX-3, Parametric EQ, Graphic EQ, Sonic",p:44,x:76,y:805,w:622,h:22},
{t:"Foundry, and a multitude of minor effects processors chained in various configu-",p:44,x:76,y:828,w:648,h:22},
{t:"rations. Various microphones including; Sennheiser, Samson, Electro-",p:44,x:76,y:852,w:562,h:22},
{t:"Harmonix, AKG, Audio-Technica, Beyer Dynamic, VHF-UHF Wireless",p:44,x:76,y:875,w:581,h:22},
{t:"Mics, Shotgun, Lavalier Neumann, Crown, and various sets populating",p:44,x:76,y:899,w:568,h:22},
{t:"recording studios.",p:44,x:76,y:922,w:143,h:22},
{t:"Sound At The Mountain:",p:44,x:76,y:969,w:200,h:22},
{t:"\"Sound At The Mountain\" was a project building a multiplex voice. I chained off",p:44,x:76,y:993,w:649,h:22},
{t:"a Fender Stratocaster with a MIDI converter to Arp Avatar, Rolland GR 300,",p:44,x:76,y:1016,w:616,h:22},
{t:"Specter 360, 3 Oberhime expander modules, Minimoog, echoplex, split guitar sig-",p:44,x:76,y:1040,w:658,h:22},
{t:"nals via direct box, to many effects processors and used 4 Rolland 6 channel mix-",p:44,x:76,y:1063,w:653,h:22},
{t:"ers to sub mix and bus to a master mixer output to active parametric 3 way",p:44,x:76,y:1087,w:596,h:22},
{t:"crossover to BGW Try-Amping to 2 Cerwin-Vega big speakers. I played with",p:44,x:76,y:1110,w:622,h:22},
{t:"various configurations for a few months.",p:44,x:76,y:1134,w:325,h:22},
{t:"45",p:45,x:710,y:43,w:20,h:22},
{t:"Music Tech",p:45,x:348,y:77,w:140,h:33},
{t:"Digital music as MP3 are delivered directly from the web, or may be ordered on",p:45,x:88,y:112,w:641,h:22},
{t:"CD. Technology is equally involved in creating the music. I work directly with",p:45,x:88,y:135,w:631,h:22},
{t:"sound as well as the old way of gathering musicians in the studio.",p:45,x:88,y:159,w:524,h:22},
{t:"My MIDI programs use code for nota-",p:45,x:88,y:853,w:307,h:22},
{t:"tion, sequencing, and voicing synthesizers. Combinations of sampling, MIDI and",p:45,x:88,y:876,w:649,h:22},
{t:"recording systems forms state of the art home studios. Composers work with sound.",p:45,x:88,y:900,w:670,h:22},
{t:"46",p:46,x:81,y:43,w:20,h:22},
{t:"It is easy to forget that not",p:46,x:492,y:755,w:209,h:22},
{t:"long ago thinking was gov-",p:46,x:492,y:779,w:218,h:22},
{t:"erned by literal observations",p:46,x:492,y:802,w:227,h:22},
{t:"of a strictly visible world.",p:46,x:492,y:826,w:206,h:22},
{t:"Art And Science",p:46,x:317,y:86,w:177,h:29},
{t:"As most obviously exemplified by Leonardo Da Vinci, art and science are bound",p:46,x:76,y:133,w:647,h:22},
{t:"from the core of discovering creation. Methods and materials for the artist are the",p:46,x:76,y:156,w:650,h:22},
{t:"science in the discipline of painting. Physical applications, intellectual organiza-",p:46,x:76,y:180,w:642,h:22},
{t:"tion, and theory are documented by many authors, including; Ralph Mayer 1957,",p:46,x:76,y:204,w:647,h:22},
{t:"Sir Charls Lock Eastlake 1869, and Cennino Cennini published in 1400, (The",p:46,x:76,y:227,w:620,h:22},
{t:"Artist's Handbook) ~ As literature, art enters the domains of documentary, theol-",p:46,x:76,y:251,w:645,h:22},
{t:"ogy, psychology, symbolic studies, and human history. While periodic trends may",p:46,x:76,y:274,w:657,h:22},
{t:"produce artists specializing in commercial applications, the master artist continues",p:46,x:76,y:298,w:658,h:22},
{t:"the profound investigation of our existence. The digital domain as new media is",p:46,x:76,y:321,w:638,h:22},
{t:"another chapter in the science of art. The human scale migrating into a newly de-",p:46,x:76,y:345,w:647,h:22},
{t:"fined universe continues the marriage of art and science.",p:46,x:76,y:368,w:451,h:22},
{t:"On the frontier of knowledge, the mind and associations to the dialectics of cul-",p:46,x:76,y:416,w:637,h:22},
{t:"ture and persona as well as brain chemistry, inform our perception. The re-refined",p:46,x:76,y:440,w:655,h:22},
{t:"symbolic icons of deep association unlock our identity. The mass of information",p:46,x:76,y:463,w:642,h:22},
{t:"arriving from a previously invisible world, invites our flexibility to be ever more",p:46,x:76,y:487,w:644,h:22},
{t:"resilient in the synthesis of a new paradigm. We exist in motion. Therefore, we",p:46,x:76,y:510,w:631,h:22},
{t:"orient our thinking to the understanding of a process.",p:46,x:76,y:534,w:423,h:22},
{t:"47",p:47,x:710,y:43,w:20,h:22},
{t:"The world Of Thought",p:47,x:297,y:77,w:241,h:29},
{t:"Esoteric Areas Of Thought Seek To Organize Perception offering patterns for ref-",p:47,x:88,y:131,w:656,h:22},
{t:"erence. In Search of the Miraculous, P.D.Ouspensky was an early thought pro-",p:47,x:88,y:155,w:630,h:22},
{t:"voking presentation of ideas which sparked my interest. It suggested that two ba-",p:47,x:88,y:179,w:648,h:22},
{t:"sic laws, the law of three forces and the law of the octave, pervade existence. A",p:47,x:88,y:202,w:634,h:22},
{t:"structure symbolized by the seven-tone musical scale, with steps both upward and",p:47,x:88,y:226,w:655,h:22},
{t:"downward. There where junctures on this scale where forces are checked and re-",p:47,x:88,y:249,w:645,h:22},
{t:"quire new energy to continue along the ladder. Related ideas included a unified",p:47,x:88,y:273,w:632,h:22},
{t:"field. In music, unified field is often used to refer to the \"unity of musical space\"",p:47,x:88,y:296,w:643,h:22},
{t:"created by the free use of melodic as harmonic and harmonic as melodic material.",p:47,x:88,y:320,w:653,h:22},
{t:"In physics, a unified field theory is a type of field theory that allows all of the fun-",p:47,x:88,y:343,w:657,h:22},
{t:"damental forces between elementary particles to be written in terms of a single",p:47,x:88,y:367,w:629,h:22},
{t:"field. The term was coined by Albert Einstein who attempted to unify the general",p:47,x:88,y:390,w:649,h:22},
{t:"theory of relativity with electromagnetism. A Theory of Everything is closely re-",p:47,x:88,y:414,w:647,h:22},
{t:"lated to unified field theory, but differs by not requiring the basis of nature to be",p:47,x:88,y:437,w:641,h:22},
{t:"fields, and also attempts to explain all physical constants of nature.",p:47,x:88,y:461,w:535,h:22},
{t:"The ideas of unity in art also seek to reconcile questions raised by science. As art",p:47,x:88,y:508,w:648,h:22},
{t:"imitates nature, it seeks to define the human scale in proportion to the known",p:47,x:88,y:531,w:616,h:22},
{t:"world. The known world changes with great strides such as with the Hubble tele-",p:47,x:88,y:555,w:648,h:22},
{t:"scope. Albert Einstein put forward the notion that the universe was a spherical",p:47,x:88,y:578,w:625,h:22},
{t:"structure. As our abilities to see the world increase, we rediscover the spherical",p:47,x:88,y:602,w:633,h:22},
{t:"structure in the stars and the microcosm of sub atomic particles.",p:47,x:216,y:625,w:510,h:22},
{t:"As physical forces and time effect the spherical structures, they",p:47,x:216,y:649,w:506,h:22},
{t:"become spheroids on spiral orbital paths. Polarization becomes",p:47,x:216,y:672,w:504,h:22},
{t:"another primal organizing phenomenon. A balance of interacting",p:47,x:216,y:696,w:518,h:22},
{t:"forces seeking a vector equilibrium explains the workings of these",p:47,x:216,y:719,w:530,h:22},
{t:"forces. Waveform means the shape and form of a signal such as a",p:47,x:216,y:743,w:523,h:22},
{t:"wave moving in a solid, liquid or gaseous medium. Energy in mo-",p:47,x:216,y:766,w:528,h:22},
{t:"tion. The term 'waveform' also refers to the shape of a graph of",p:47,x:216,y:790,w:502,h:22},
{t:"the varying quantity against time or distance. Waveforms may exist within field-",p:47,x:88,y:814,w:644,h:22},
{t:"forms. They may be better sometimes for describing a local event. The reason for",p:47,x:88,y:837,w:650,h:22},
{t:"having a point of view in harmony with nature is to increase our ability to focus",p:47,x:88,y:861,w:638,h:22},
{t:"on the larger picture and zoom into a perspective appropriate to our individuality.",p:47,x:88,y:884,w:651,h:22},
{t:"The various quests for knowledge, truths found in ancient religions and wisdom",p:47,x:88,y:931,w:638,h:22},
{t:"teachings resonate with individual needs for identity and humanity's place in the",p:47,x:88,y:955,w:641,h:22},
{t:"universe. Other influences included Mesmer, Jose Silva, Edgar Casey, Andreas",p:47,x:88,y:978,w:633,h:22},
{t:"Lommel, Carl Jung, Freud, and others. The discovery of ways to access and orga-",p:47,x:88,y:1002,w:653,h:22},
{t:"nize the mind has been a partner to all the disciplines. My cross-referencing of",p:47,x:88,y:1025,w:627,h:22},
{t:"disciplines seemed a natural progression. The creation of visual symbols to help",p:47,x:88,y:1049,w:639,h:22},
{t:"organize thought is an ongoing part of the literature of mind gathered in our li-",p:47,x:88,y:1072,w:628,h:22},
{t:"braries. The digest of ideas forms our language. The refinement of this language",p:47,x:88,y:1096,w:641,h:22},
{t:"becomes literature of mind. If we are to draw off from this literature, then a poetry",p:47,x:88,y:1119,w:658,h:22},
{t:"of universal dynamics must be the conclusion of our quest.",p:47,x:88,y:1143,w:470,h:22},
{t:"48",p:48,x:81,y:43,w:20,h:22},
{t:"Techno Science & art",p:48,x:76,y:77,w:259,h:33},
{t:"Quantum Mechanics And The Art Metaphor",p:48,x:76,y:135,w:355,h:22},
{t:"A good metaphor will maintain it's meaning in variable environments. The foun-",p:48,x:76,y:159,w:645,h:22},
{t:"dation of interdisciplinary studies is arriving at universal dynamics sustained by",p:48,x:76,y:182,w:638,h:22},
{t:"cross-referencing. The idea of a unified field is a re-occurring theme in art as well",p:48,x:76,y:206,w:654,h:22},
{t:"as physics. Speaking with several physicists I realized they were also attempting",p:48,x:76,y:229,w:643,h:22},
{t:"to define a comprehensive view of creation. The symbolic structural design of the",p:48,x:76,y:253,w:653,h:22},
{t:"art metaphor is to imitate nature. Discovery is the process, in which every disci-",p:48,x:76,y:276,w:638,h:22},
{t:"pline an individual may be working in grows. Truth is beauty. The faithful, who",p:48,x:76,y:300,w:639,h:22},
{t:"do not tarnish the clarity of discovery eventually emerge with a clear vision. The",p:48,x:76,y:323,w:645,h:22},
{t:"ability to increase a capacity to see, hear, comprehend and apply knowledge is the",p:48,x:76,y:347,w:655,h:22},
{t:"quest of all discovery. History has demonstrated that we can not draw credible",p:48,x:76,y:370,w:626,h:22},
{t:"conclusions in a vacuum. The necessary elements are increased perception deliv-",p:48,x:76,y:394,w:647,h:22},
{t:"ering high quality information. Much of my inspiration has come from the scien-",p:48,x:76,y:417,w:646,h:22},
{t:"tific community. The technologies I employ have also had a definitive impact on",p:48,x:76,y:441,w:645,h:22},
{t:"the scope of my work. A main driving force has been a deep desire to understand",p:48,x:76,y:464,w:648,h:22},
{t:"how things work.",p:48,x:76,y:488,w:139,h:22},
{t:"Anticipatory Design Science",p:48,x:76,y:528,w:229,h:22},
{t:"One of the needs for the installation was easy set up and take down by a single",p:48,x:76,y:551,w:628,h:22},
{t:"person. An other need was easy transportation and storage. The idea of this design",p:48,x:76,y:575,w:658,h:22},
{t:"is to build to a human scale. As a result one person can transport and install. The",p:48,x:76,y:598,w:644,h:22},
{t:"desire for a single human scale stems from two experiences. Moving belongs, in-",p:48,x:76,y:622,w:648,h:22},
{t:"cluding rack mounted electronic components, from place to place, and the idea of",p:48,x:76,y:645,w:651,h:22},
{t:"extra-terrestrial habitat design. Weight concerns for a rigid panel settled on foam-",p:48,x:76,y:669,w:652,h:22},
{t:"core. Columns of panels were strapped together by industrial Velcro. Rows of",p:48,x:76,y:692,w:623,h:22},
{t:"columns are suspended from 2 poles. Careful installation of polls from ceiling",p:48,x:76,y:716,w:623,h:22},
{t:"with regard to level makes following panel attachment easy. Final adjustment is",p:48,x:76,y:739,w:638,h:22},
{t:"effected with shim installation on appropriate strap hangers. Panels fit into 3 folios",p:48,x:76,y:763,w:661,h:22},
{t:"for transport and storage. The size of panels was determined by available folio",p:48,x:76,y:786,w:627,h:22},
{t:"size, foamcore manufacturer sizes, and passenger car accessibility.",p:48,x:76,y:810,w:532,h:22},
{t:"A Better Mouse-Trap",p:48,x:76,y:850,w:172,h:22},
{t:"I was looking for a work to tell a complex story. My art crossed borders of genre,",p:48,x:76,y:874,w:650,h:22},
{t:"style, and subject as well as media. The work was a utility for contacting an audi-",p:48,x:76,y:897,w:651,h:22},
{t:"ence in such a way as to open the view to complex systems as substructure in art. I",p:48,x:76,y:921,w:660,h:22},
{t:"had created many large works but wanted a new media which could serve practi-",p:48,x:76,y:944,w:646,h:22},
{t:"cal needs as well as artistic vision. A scaleable modular system which could be ap-",p:48,x:76,y:968,w:662,h:22},
{t:"plied across media. I settled on rectangular units. These would work as a mosaic",p:48,x:76,y:991,w:642,h:22},
{t:"in electronic media as well as installation. The panels takes the art to a new resolu-",p:48,x:76,y:1015,w:661,h:22},
{t:"tion which freezes time as well as parts of separate visions. Similarly the Web art",p:48,x:76,y:1038,w:650,h:22},
{t:"includes migrated images of old into new forms. The rows and columns shuffling",p:48,x:76,y:1062,w:650,h:22},
{t:"units re-define the matrix and experience with user-defined parameters.",p:48,x:76,y:1085,w:571,h:22},
{t:"49",p:49,x:710,y:43,w:20,h:22},
{t:"CODE",p:49,x:379,y:77,w:81,h:33},
{t:"Weather code is produced for a program, the world wide web, music or movie-",p:49,x:88,y:120,w:632,h:22},
{t:"making hardware the concept is the same. Nature provides the stage for our bodies",p:49,x:88,y:144,w:660,h:22},
{t:"with genetic code. Physics points to the code governing the universe and sub-",p:49,x:88,y:167,w:620,h:22},
{t:"atomic particles. Literature provides the code for emotion and the human scale.",p:49,x:88,y:191,w:633,h:22},
{t:"The invisible matrix is the axis-mundi of the metaphorical unified field. The cre-",p:49,x:88,y:214,w:645,h:22},
{t:"ative concept of unity. Until the perfect universal translator comes along, the inter-",p:49,x:88,y:238,w:662,h:22},
{t:"disciplinary will have patch together language and meaning through multiple sys-",p:49,x:88,y:261,w:653,h:22},
{t:"tems of code. Weather Leonardo Da Vince or today’s interdisciplinary the idea of",p:49,x:88,y:285,w:653,h:22},
{t:"cross-referencing structural dynamics to discover the secrets of creation is imbed-",p:49,x:88,y:308,w:653,h:22},
{t:"ded in the CODE. The sheet music below on left was written by hand. The score",p:49,x:88,y:332,w:643,h:22},
{t:"below to the right is from a music production program. The tools of notation re-",p:49,x:88,y:355,w:638,h:22},
{t:"main the same.",p:49,x:88,y:379,w:120,h:22},
{t:"HTML Code",p:49,x:187,y:890,w:103,h:22},
{t:"Javascript  Code",p:49,x:533,y:868,w:132,h:22},
{t:"PHP Code",p:49,x:204,y:1163,w:83,h:22},
{t:"CGI Pearl  Code",p:49,x:533,y:1163,w:132,h:22},
{t:"50",p:50,x:81,y:43,w:20,h:22},
{t:"In 1962 I bought the guitar pictured to the left. It is a",p:50,x:294,y:133,w:421,h:22},
{t:"Martin Dreadnought D28. Whenever I pick up this",p:50,x:294,y:156,w:405,h:22},
{t:"guitar, I enter a quiet lucid space. It is a meditation ...",p:50,x:294,y:180,w:426,h:22},
{t:"practiced, rehearsed, perfected, refined and always a",p:50,x:294,y:203,w:419,h:22},
{t:"new adventure within the moment. It remains a seeing",p:50,x:294,y:227,w:433,h:22},
{t:"stone into the great mystery. Art is the same seeing",p:50,x:294,y:250,w:408,h:22},
{t:"stone. The experience of discovery through many see-",p:50,x:294,y:274,w:433,h:22},
{t:"ing stones is a vision I feel privileged to share. When",p:50,x:294,y:297,w:424,h:22},
{t:"skill, knowledge and perception combine to express a",p:50,x:294,y:321,w:428,h:22},
{t:"vision of creation, a sense of connection with existence",p:50,x:294,y:344,w:441,h:22},
{t:"is a source of immense satisfaction. When an audience",p:50,x:294,y:368,w:436,h:22},
{t:"can also experience that satisfaction, a cathartic trans-",p:50,x:294,y:391,w:431,h:22},
{t:"ference provides shamanic transformation.",p:50,x:294,y:415,w:340,h:22},
{t:"River has made art, music, and poetry since childhood. His visual art can be found",p:50,x:76,y:470,w:658,h:22},
{t:"in private collections throughout the world. In 2007, large installations began with",p:50,x:76,y:494,w:658,h:22},
{t:"“The Big Picture”  The Big Show is the continuation of the Big Picture off the",p:50,x:76,y:517,w:627,h:22},
{t:"canvas and into the world of theater.",p:50,x:76,y:541,w:291,h:22},
{t:"River describes the evolution of his work as a spiral orbital path. Each year we ex-",p:50,x:76,y:572,w:659,h:22},
{t:"perience seasons which occur with regularity. However every season is different",p:50,x:76,y:596,w:643,h:22},
{t:"and new. Similarly Rivers work travels through periods, themes, and methodolo-",p:50,x:76,y:619,w:646,h:22},
{t:"gies. The art is always renewed with the seasons. Individuals who only see a few",p:50,x:76,y:643,w:646,h:22},
{t:"works often assume those few works are the summation River’s style. This is to",p:50,x:76,y:666,w:638,h:22},
{t:"be expected. In the marketplace a signature style is considered very desirable by",p:50,x:76,y:690,w:641,h:22},
{t:"sales people. River’s continuing desire for discovery encourages him to embrace",p:50,x:76,y:713,w:644,h:22},
{t:"change and experimentation. There is consistency in River’s work. It can be un-",p:50,x:76,y:737,w:639,h:22},
{t:"derstood when seeing the work over a long period of time. Seeing the spiral or-",p:50,x:76,y:760,w:633,h:22},
{t:"bital path of his work adds depth to understanding the greater concept. The new",p:50,x:76,y:784,w:637,h:22},
{t:"work is primarily directed toward large installations for performance. These in-",p:50,x:76,y:807,w:634,h:22},
{t:"stallations combine many stylistic approaches. As with his continuing methods,",p:50,x:76,y:831,w:635,h:22},
{t:"style follows form. The works are guided by discovery. Each vision of art is in-",p:50,x:76,y:854,w:635,h:22},
{t:"spired by a window to creation. Poetry Cafe, Johnny Rainbow, Zen Process The-",p:50,x:76,y:878,w:647,h:22},
{t:"ater, are concepts which express River’s unified art.",p:50,x:76,y:901,w:414,h:22},
{t:"A Small Overview",p:50,x:288,y:77,w:225,h:33},
{t:"51",p:51,x:710,y:43,w:20,h:22},
{t:"52",p:52,x:81,y:43,w:20,h:22},
{t:"Interdisciplinary Overview",p:52,x:244,y:74,w:324,h:33},
{t:"A polymath (Greek, \"having learned much\") is a person whose expertise fills a",p:52,x:76,y:125,w:629,h:22},
{t:"significant number of subject areas. The term \"Renaissance man\" is used to de-",p:52,x:76,y:148,w:632,h:22},
{t:"scribe a person who is well educated or who excels in a wide variety of subjects",p:52,x:76,y:172,w:639,h:22},
{t:"or fields. The idea of a universal education was pivotal to achieving polymath",p:52,x:76,y:195,w:622,h:22},
{t:"ability. Since it is extremely difficult to acquire knowledge, in several fields at the",p:52,x:76,y:219,w:656,h:22},
{t:"level of an expert, a negative connotation sometimes presumes a \"jack of all",p:52,x:76,y:242,w:608,h:22},
{t:"trades, master of none\". In the context of today's hyperspecialization, the ideal of",p:52,x:76,y:266,w:647,h:22},
{t:"a Renaissance man is sometimes judged to be an anachronism. However a new",p:52,x:76,y:289,w:630,h:22},
{t:"trend fostered by the need to deal with global complexity and the computer envi-",p:52,x:76,y:313,w:646,h:22},
{t:"ronment calls for generalists who can organize a steep learning curve to execute",p:52,x:76,y:336,w:639,h:22},
{t:"projects. This need for generalists with a broad base of reference in multiple disci-",p:52,x:76,y:360,w:658,h:22},
{t:"plines defines the new \"Techno-Age Polymath.\"  The interdisciplinary expert",p:52,x:76,y:383,w:618,h:22},
{t:"must be a process annalist as well as an expert in many fields. To this end I offer",p:52,x:76,y:407,w:645,h:22},
{t:"my theory of the Seventh Discipline. The final step to the \"way\" of the interdisci-",p:52,x:76,y:430,w:651,h:22},
{t:"plinary. As I call it .. Zen Process. Infancy and childhood are such active learning",p:52,x:76,y:454,w:652,h:22},
{t:"periods that the idea of isolating fields of learning, separating them and stopping",p:52,x:76,y:477,w:643,h:22},
{t:"the process of understanding in most of them is absurd. Yet later in life our soci-",p:52,x:76,y:501,w:644,h:22},
{t:"ety of hyperspecialization expects exactly that. To crystallize maturity of interdis-",p:52,x:76,y:524,w:654,h:22},
{t:"ciplinary arts and offer a goal of attainment I suggest “The Seventh Discipline”",p:52,x:76,y:548,w:634,h:22},
{t:"The Seventh Discipline",p:52,x:76,y:588,w:281,h:33},
{t:"The foundation of interdisciplinary studies is arriving at universal dynamics sus-",p:52,x:76,y:623,w:644,h:22},
{t:"tained by cross-referencing. The wider the field of reference the greater probabil-",p:52,x:76,y:646,w:649,h:22},
{t:"ity of pattern recognition. A centered awareness moving freely across disciplines",p:52,x:76,y:670,w:646,h:22},
{t:"is the keystone of the mature interdisciplinary. The ability to zoom into specifics",p:52,x:76,y:693,w:644,h:22},
{t:"of a unfamiliar discipline and quickly orient an organizational overview is the",p:52,x:76,y:717,w:622,h:22},
{t:"flower in the interdisciplinary garden. There is a pattern created by referencing 3",p:52,x:76,y:740,w:645,h:22},
{t:"commonalties within a discipline. As an example, if you have 3 figures of a man,",p:52,x:76,y:764,w:648,h:22},
{t:"each one smaller, they create an appearance of perspective. That is, rather than",p:52,x:76,y:787,w:629,h:22},
{t:"understanding the figures as being progressively smaller, the mind sees the same",p:52,x:76,y:811,w:644,h:22},
{t:"size figure receding in space. Similarly with sound, an echo appears to create the",p:52,x:76,y:834,w:645,h:22},
{t:"illusion of space when there are 3 sounds progressively growing fainter. The pres-",p:52,x:76,y:858,w:657,h:22},
{t:"ence of 3 elements of information all possibly saying the same thing forms a com-",p:52,x:76,y:881,w:656,h:22},
{t:"monality (the space, or the illusion of space). The mind finds it easy to make these",p:52,x:76,y:905,w:658,h:22},
{t:"relationships. We use this understanding to build relationships between disci-",p:52,x:76,y:928,w:618,h:22},
{t:"plines. When we have a cross-reference between 3 disciplines we get a sense of",p:52,x:76,y:952,w:636,h:22},
{t:"what these disciplines are doing which is greater than the 3. When we bring an-",p:52,x:76,y:975,w:635,h:22},
{t:"other discipline up to speed, we reference 4 disciplines and a sense model. When",p:52,x:76,y:999,w:646,h:22},
{t:"we get 6 disciplines fully resolved to an expert level we have 2 full sense models.",p:52,x:76,y:1022,w:652,h:22},
{t:"The theory of the seventh discipline is that with the seventh there is a qualitative",p:52,x:76,y:1046,w:643,h:22},
{t:"change in understanding. The seventh produces a new sense model making 3",p:52,x:76,y:1069,w:615,h:22},
{t:"models, and therefore very strong probabilities for universal patterns to be visible.",p:52,x:76,y:1093,w:657,h:22},
{t:"The learning becomes much easier. Like an expert skier on a big mountain the",p:52,x:76,y:1116,w:626,h:22},
{t:"slopes become fun. The new vision of nature becomes an inspiring source of en-",p:52,x:76,y:1140,w:642,h:22},
{t:"ergy. So goes the myth of the seventh discipline.",p:52,x:76,y:1164,w:388,h:22},
{t:"53",p:53,x:710,y:43,w:20,h:22},
{t:"Disciplines:",p:53,x:363,y:77,w:111,h:25},
{t:"Author - poetry, short stories, novels, memoir, play, movie scripts ~ Composer -",p:53,x:89,y:112,w:645,h:22},
{t:"film score, FX electronic, classical forms, blues, rock, folk, jazz ~ Singer/Song-",p:53,x:89,y:136,w:640,h:22},
{t:"writer, Musician - Guitar, Keys, Synthesizers,  MIDI, Samplers ~ Audio - Engi-",p:53,x:89,y:160,w:643,h:22},
{t:"neer, Acoustic Designer, Electronic Systems, Audio Mix Artist ~ Painter - Land-",p:53,x:89,y:184,w:651,h:22},
{t:"scape, Portrait, Mural, Depiction, Abstract, Installations ~ Print Maker - linoleum",p:53,x:89,y:207,w:657,h:22},
{t:"block, wood block, silk screen, zinc plate lithography, stone lithography, etching,",p:53,x:89,y:231,w:651,h:22},
{t:"dot matrix, inkjet ~ Movie Maker - Documentary, Feature, Narrative, Art FX,",p:53,x:89,y:254,w:622,h:22},
{t:"Music Video ~ Photographer - DP, Still, Cinematographer, Editor, Computer",p:53,x:89,y:278,w:623,h:22},
{t:"Processor ~",p:53,x:89,y:302,w:93,h:22},
{t:"Producer/Publisher - CD, DVD and Books, Hand Made Books ~   Web Artist ~",p:53,x:89,y:325,w:644,h:22},
{t:"Computer Artist ~ Process Analyst",p:53,x:89,y:349,w:284,h:22},
{t:"~   Zen Process   ~",p:53,x:332,y:396,w:173,h:25},
{t:"Why Zen? It is simply a term to indicate an attitude toward discipline, complexity,",p:53,x:89,y:436,w:660,h:22},
{t:"perspective, and reconciling seeming opposites. I first heard the term from my",p:53,x:89,y:460,w:625,h:22},
{t:"artist uncle. Later, from computer programmers looking for an attitude to negoti-",p:53,x:89,y:483,w:646,h:22},
{t:"ate complexity. The deeper look into zen came from Allen Watts. Shamballa as",p:53,x:89,y:507,w:634,h:22},
{t:"referred to in texts of the Zhang Zhung culture has also influenced my perspec-",p:53,x:89,y:530,w:633,h:22},
{t:"tive. Kyudo the “Zen Art of Archery” has relevance in balance, stillness, and the",p:53,x:89,y:554,w:644,h:22},
{t:"act of doing. As relates to what I do, Zen is the thread of process running through",p:53,x:89,y:577,w:650,h:22},
{t:"all my projects. Art is my bow, the various disciplines are my arrows. The evolu-",p:53,x:89,y:601,w:648,h:22},
{t:"tion of this art was simple. Since childhood I have painted, written, made music,",p:53,x:89,y:624,w:642,h:22},
{t:"taken photographs, made prints and combinations of these together. Computers",p:53,x:89,y:648,w:633,h:22},
{t:"also became part of my workshop along with movie making. My work evolves in",p:53,x:89,y:671,w:650,h:22},
{t:"a spiral-orbital process. I travel through creative periods which are re-discovered",p:53,x:89,y:695,w:645,h:22},
{t:"54",p:54,x:81,y:43,w:20,h:22},
{t:"55",p:55,x:710,y:43,w:20,h:22},
{t:"On stage, in the studio, or at home with the computer, River  crosses all barriers to",p:55,x:89,y:661,w:658,h:22},
{t:"arrive at a cross pollination of creativity. He describes this point of artistic perspec-",p:55,x:89,y:684,w:666,h:22},
{t:"tive as Zen Process. When asked about the many art forms he works in, he makes a",p:55,x:89,y:708,w:664,h:22},
{t:"comparison to Kyudo, Zen Archery. He explains, “Art is my bow. The many disci-",p:55,x:89,y:731,w:663,h:22},
{t:"plines are the arrows.”  River’s bow is also influenced by the native American",p:55,x:89,y:755,w:625,h:22},
{t:"“Spirit Bow” intended to pierce the invisible. This creative power finds expression",p:55,x:89,y:778,w:661,h:22},
{t:"in performance.",p:55,x:89,y:802,w:126,h:22},
{t:"Zen Process Theater",p:55,x:261,y:857,w:326,h:44},
{t:"Jazz is the American zen of music. It provides a stage where creators may bring a",p:55,x:89,y:949,w:651,h:22},
{t:"concept which is alive in the moment. The act of creation is reborn on that stage as",p:55,x:89,y:972,w:662,h:22},
{t:"the artists continue the interpretation. Similarly Zen Process Concert pulls together",p:55,x:89,y:996,w:662,h:22},
{t:"music, poetry, dance, visual art, and technology. The stage is alive with art in the",p:55,x:89,y:1019,w:648,h:22},
{t:"moment. Creative interpretations make each performance a unique experience.",p:55,x:89,y:1043,w:629,h:22},
{t:"56",p:56,x:81,y:43,w:20,h:22},
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